My PhD Project: Cinematic Affect in a Time of Ecological Emergency

Introduction | Chapter One – The Ecological Emergency | Chapter Two – Grief, Sensation, and Dissensus | Chapter Three – Contextual Review of Practice
Chapter Four – Positioning of Practice | Conclusion | Bibliography

Bibliography

Akerman, Chantal. “Chantal Akerman: In Her Own Time an Interview with Miriam Rosen.” In The Cinematic, edited by David Campany. Cambridge, Mass.: MIT Press, 2004.

Allen, Richard and Malcolm Turvey, eds. Camera Obscura, Camera Lucida: Essays in Honor of Annette Michelson, Film Culture in Transition. Amsterdam: Amsterdam University Press, 2003.

Anderson, Jill T., Anne Marie Panetta, and Thomas Mitchell-Olds. “Evolutionary and Ecological Responses to Anthropogenic Climate Change.” Plant Physiology 160, no. 4 (2012).

Andrew, Dudley. “The Roots of the Nomadic: Gilles Deleuze and the

            Cinema of West Africa.” In The Brain Is the Screen: Deleuze and the Philosophy of Cinema, edited by Gregory Flaxman, Minneapolis: University of Minnesota Press, 2000.

Antonioni, Michelangelo. “Deserto Rosso/the Red Desert.” Videorecording. Collingwood, Vic.: Madman Entertainment: AV distributor, 2006.

Aufderheide, Patricia. Documentary Film: A Very Short Introduction. Very Short Introductions. Oxford University Press, 2007.

Bacal, Edward. “Sharon Lockhart and Steve Mcqueen: Inside the Frame of Structural Film.” Cineaction, 2013.

Baichwal, Jennifer, Edward Burtynsky, and Peter Mettler. Manufactured Landscapes/Paysages Fabriqués. National Film Board of Canada & Mongrel Media, DVD 2007.

Balázs, Béla. Theory of the Film: Character and Growth of a New Art. Translated by Edith Bone. London: D. Dobson, 1952.

Ball, Steven. “D’est: Spectres of Communism.” Last modified 2013. Accessed October 30, 2015. http://sensesofcinema.com/2013/cteq/dest-spectres-of-communism/ – 7.

Barnosky, Anthony D., Nicholas Matzke, Susumu Tomiya, Guinevere O. U. Wogan, Brian Swartz, Tiago B. Quental, Charles Marshall, Jenny L. McGuire, Emily L. Lindsey, Kaitlin C. Maguire, Ben Mersey, and Elizabeth A. Ferrer. “Has the Earth/’S Sixth Mass Extinction Already Arrived?” Nature 471, no. 7336 (2011): 51-57.

Baronian, Marie-Aude and Mireille Rosello. “Jacques Rancière and Indisciplinarity.” Art & Research 2, no. 1 (2008).

Baudrillard, Jean. America. London; New York, NY: Verso, 1988.

Benjamin, Walter. The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media. Edited by Michael William Jennings, Brigid Doherty, and Thomas Y. Levin. Translated by E. F. N. Jephcott. Cambridge, Mass.: Belknap Press of Harvard University Press, 2008.

Bennett, Jane. “The Force of Things Steps toward an Ecology of Matter.” Political theory 32, no. 3 (2004): 347-72.

———. Vibrant Matter: A Political Ecology of Things. Durham N.C.: Duke University Press, 2010.

Bennett, Jill. Practical Aesthetics: Events, Affect and Art after 9/11. London: I.B. Tauris, 2012.

Bergen, Véronique. “Politics as the Orientation of Every Assemblage.” New Formations 68, no. 1 (2010): 34-41.

Bergson, Henri. Henri Bergson: Key Writings. Edited by Keith Ansell-Pearson and John Mullarkey. New York: Continuum, 2002.

Bergson, Henri, Keith Ansell-Pearson, and John Mullarkey. “Creative Evolution.” In Henri Bergson : Key Writings, edited by Keith Ansell-Pearson and John Mullarkey, New York: Continuum, 2002.

Bergstrom, Janet. Endless Night: Cinema and Psychoanalysis, Parallel Histories. University of California Press, 1999.

———. “Keeping a Distance.” Sight and Sound, Nov 01, 1999.

Bernstein, J.M. “Movies as the Great Democratic Art Form of the Modern World (Notes on Rancière).” In Jacques Rancière and the Contemporary Scene: The Philosophy of Radical Equality, ed. Jean-Philippe Deranty and Alison Ross, London: Continuum, 2012.

Berrebi, Sophie. “Everything You Wanted to Know About Jacques Rancière but Were Afraid to Ask.” Art & Research 2, no. 1 (2008).

———. “Jacques Rancière: Aesthetics Is Politics.” Art & Research 2, no. 1 (2008).

Birrell, Ross. “Jacques Rancière and the (Re) Distribution of the Sensible: Five Lessons in Artistic Research.” Art & Research 2, no. 1 (2008).

Blühdorn, Ingolfur, “The German Green Party’s Turn to Economic Policy: A Green New Deal for Sustaining the Unsustainable?” Annual Meeting of the American Political Science Association, Toronto, Canada, 2-6 September, 2009.

Boljkovac, Nadine. Untimely Affects: Gilles Deleuze and an Ethics of Cinema. Plateaus: New Directions in Deleuze Studies. Edinburgh: Edinburgh University Press, 2013.

Bowman, Paul. Rancière and Film. Critical Connections. Edinburgh: Edinburgh University Press Ltd., 2013.

Bowman, Paul and Richard Stamp. Reading Rancière. London; New York: Continuum, 2011.

Bresson, Robert. “A Man Escaped.” DVD. London: Artificial Eye, 2008.

Brinkman, Dirk. “Editorial.” Silviculture Magazine Spring (2012).

Burtynsky, Edward, Lori Pauli, Kenneth Baker, Michael Torosian, and Mark Haworth-Booth. Manufactured Landscapes: The Photographs of Edward Burtynsky. Ottawa: National Gallery of Canada in association with Yale University Press, 2003.

Butler, Judith. Precarious Life: The Powers of Mourning and Violence. London ; New York: Verso, 2004.

———. Frames of War: When Is Life Grievable? London New York: Verso, 2009.

Butler, Kristine. “Bordering on Fiction: Chantal Akerman’s D’est.” Postmodern Culture 6, no. 1 (1995).

Campany, David. The Cinematic. Documents of Contemporary Art. London

            Cambridge, Mass.: Whitechapel; MIT Press, 2007.

Canning, Peter. “The Imagination of Immanence: An Ethics of Cinema.” In The Brain Is the Screen: Deleuze and the Philosophy of Cinema, edited by Gregory Flaxman, Minneapolis: University of Minnesota Press, 2000.

Carver, Terrell and Samuel Allen Chambers. Judith Butler’s Precarious Politics: Critical Encounters. London: Routledge, 2008.

Cavell, Stanley. The World Viewed: Reflections on the Ontology of Film. Enl. ed. Cambridge: Harvard University Press, 1979.

Chandler, James. “The Affection-Image and the Movement-Image.” In Afterimages of Gilles Deleuze’s Film Philosophy, edited by David Norman Rodowick, Minneapolis: University of Minnesota Press, 2010.

Claviez, Thomas. “Ecology as Moral Stand(S): Environmental Ethics, Western Moral Philosophy, and the Problem of the Other.” In Nature in Literary and Cultural Studies: Transatlantic Conversations on Ecocriticism, edited by Catrin Gersdorf and Sylvia Mayer, New York, Rodopi, 2006.

Climate Change by the Numbers. BBC, 2015.

Cohen, Jeffrey Jerome. Prismatic Ecology: Ecotheory Beyond Green. 2013.

Colebrook, Claire. Gilles Deleuze. Routledge Critical Thinkers. New York: Routledge, 2002.

———. Understanding Deleuze. Cultural Studies. Crows Nest, N.S.W.: Allen & Unwin, 2002.

———. Deleuze a Guide for the Perplexed. Guides for the Perplexed. London: Continuum, 2006.

———. Blake, Deleuzian Aesthetics and the Digital. Continuum Literary Studies. London: Continuum, 2012.

Cook, Malcolm. “Visual Music in Film, 1921-1924: Richter, Eggeling, Ruttman.” In Music and Modernism, C. 1849-1950, edited by Charlotte De Mille, Newcastle, UK: Cambridge Scholars Pub., 2011.

Cornyetz, Nina. “Technologies of Gazing in Woman in the Dunes.” U.S.–Japan Women’s Journal, no. 26 (2004): 30-54.

———. The Ethics of Aesthetics in Japanese Cinema and Literature: Polygraphic Desire. Routledge Contemporary Japan Series. London: Routledge, 2007.

Corrigan, Timothy. The Films of Werner Herzog: Between Mirage and History. New York: Methuen, 1986.

———. The Essay Film: From Montaigne, after Marker. New York: Oxford University Press, 2011.

Cubitt, Sean. The Cinema Effect Cambridge, Mass.: MIT Press, 2004.

Darke, C. and H. Rashid, eds. Chris Marker: A Grin without a Cat: Whitechapel Gallery, 2014.

Deleuze, Gilles. Foucault. Translated by Seán Hand. 2006 ed. Minneapolis: University of Minnesota Press, 1988. Reprint, 2006.

———. Difference and Repetition. London: Athlone Press, 1994.

———. Negotiations, 1972-1990. European Perspectives. New York: Columbia University Press, 1995.

———. Cinema 1:  The Movement-Image. Translated by Hugh Tomlinson and Barbara Habberjam. Minneapolis: University of Minnesota Press, 1997.

———. Francis Bacon : The Logic of Sensation. Minneapolis: University of Minnesota Press, 2004.

———. Cinema 2: The Time-Image. Translated by Hugh Tomlinson and Robert Galeta. London: Continuum, 2005.

———. Two Regimes of Madness: Texts and Interviews 1975-1995. Edited by David Lapoujade. Translated by Ames Hodges and Mike Taormina. Semiotext(E) Foreign Agents Series. Los Angeles, CA; Cambridge, Mass.: Semiotext(e) 2006.

Deleuze, Gilles and Felix Guattari. What Is Philosophy? Translated by Hugh Tomlinson and Graham Burchell. European Perspectives. New York: Columbia University Press, 1994.

Deleuze, Gilles and John Rajchman. Pure Immanence: Essays on a Life. Translated by Anne Boyman. New York: Zone Books, 2001.

Demos, T. J. “The Art of Darkness: On Steve Mcqueen.” October 114 (2005)

Deranty, Jean-Philippe. Jacques Rancière: Key Concepts. Key Concepts. Durham: Acumen, 2010.

Diehm, Christian. “Alterity, Value, Autonomy: Levinas and Environmental Ethics.” In Facing Nature Levinas and Environmental Thought, edited by Christian Diehm, James Hatley, and William Edelglass. Pittsburgh, Pa.: Duquesne University Press,, 2012.

Diehm, Christian, James Hatley, and William Edelglass, eds. Facing Nature: Levinas and Environmental Thought. Pittsburgh, Pa.: Duquesne University Press, 2012.

Doane, Mary Ann. The Emergence of Cinematic Time: Modernity, Contingency, the Archive. Cambridge, MA: Harvard University Press, 2002.

Dronsfield, Jonathan Lahey. “Nowhere Is Aesthetics Contra Ethics: Rancière the Other Side of Lyotard.” Art and Research 2, no. 1 (2008).

Dumont, Bruno. L’humanité. Artificial Eye, DVD 2001.

“Economics.” Accessed July 25, 2015. http://greens.org.au/policies/economics.

Flaherty, Robert Joseph. Man of Aran. Home Vision Entertainment, DVD 2003.

Flaxman, Gregory, ed. The Brain Is the Screen: Deleuze and the Philosophy of Cinema. Minneapolis: University of Minnesota Press, 2000.

Freud, Sigmund. The Uncanny. Translated by David McLintock. 2003 ed. Penguin Classics. New York: Penguin Books, 1919.

Gandy, Matthew. “Landscapes of Deliquescence in Michelangelo Antonioni’s Red Desert.” Transactions of the Institute of British Geographers 28, no. 2 (2003): 218-37.

Genosko, Gary. “The Life and Work of Félix Guattari: From Transversality to Ecosophy.” In The Three Ecologies, London; New Brunswick, N.J.: Athlone Press, 2000.

———. Felix Guattari: An Aberrant Introduction. London: Continuum, 2002.

———. “Subjectivity and Art in Guattari’s the Three Ecologies.” In Deleuze/Guattari & Ecology, edited by Bernd Herzogenrath, New York: Palgrave Macmillan, 2009.

Gersdorf, Catrin and Sylvia Mayer, eds. Nature in Literary and Cultural Studies: Transatlantic Conversations on Ecocriticism, Nature, Culture and Literature. New York: Rodopi, 2006.

Gilbert, Jeremy. “What Kind of Thing Is ‘Neoliberalism’?” New Formations 80, no. 1 (2013): 7-22.

Gioni, Massimiliano. Il Palazzo Enciclopedico: Biennale Arte 2013/The Encyclopedic Palace. Vol. 1, 2 vols. Venice: Marsilio, 2013.

Goldstein, E. Bruce. Encyclopedia of Perception. Los Angeles: SAGE, 2010.

Gorlée, Dinda L. “A Sketch of Peirce’s Firstness and Its Significance to Art.” Sign Systems Studies, no. 1-2 (2009): 205-69.

Graf, Alexander. “Berlin – Moscow: On the Montage Aesthetic in the City Symphony Films of the 1920s.” In Avant-Garde Film, edited by Alexander Graf and Dietrich Scheunemann, Amsterdam: Rodopi, 2007.

Grandrieux, Philippe. La Vie Nouvelle. Christal Films, 1999, DVD 2004.

Guattari, Félix. The Three Ecologies. Translated by Ian Pinder and Paul Sutton. 2008 ed. Continuum Impacts. London: Continuum, 1989.

———. Chaosmosis: An Ethico-Aesthetic Paradigm. Bloomington: Indiana University Press, 1995.

Hagener, Malte. Moving Forward, Looking Back the European Avant-Garde and the Invention of Film Culture, 1919-1939.  Amsterdam University Press, 2007.

Harvey, David. A Brief History of Neoliberalism. Oxford University Press, 2005.

Hatfield, Jackie and Stephen Littman. Experimental Film and Video: An Anthology. Eastleigh, UK: John Libbey Pub., 2006.

Hediger, Vinzenz, Patrick Vonderau, and ebrary Inc. Films That Work: Industrial Film and the Productivity of Media Film culture in transition. Amsterdam: Amsterdam University Press, 2009.

Herzog, Werner. Lessons of Darkness.  Anchor Bay Entertainment, 1992, DVD 2004.

Herzog, Werner and Paul Cronin. Herzog on Herzog. New York: Faber and Faber, 2002.

Herzog, Werner and Moira Weigel. “On the Absolute, the Sublime, and Ecstatic Truth.” Arion: A Journal of Humanities and the Classics 17, no. 3 (2010): 1-12.

Herzogenrath, Bernd. Deleuze/Guattari & Ecology. Basingstoke England; New York: Palgrave Macmillan, 2009.

Hicks, Jeremy. Dziga Vertov: Defining Documentary Film. I.B.Tauris & Co Ltd, 2007.

Hjort, Mette, ed. On the Five Obstructions, Dekalog. London: Wallflower Press, 2008.

Huysman, Marleen, Charles Steinfield, Chyng-Yang Jang, Kenneth David, MirjamHuis in ‘t Veld, Jan Poot, and Ingrid Mulder. “Virtual Teams and the Appropriation of Communication Technology: Exploring the Concept of Media Stickiness.” Computer Supported Cooperative Work (CSCW) 12, no. 4 (2003): 411-36.

Ivens, Joris, Ray Man, Slavko Vorkapich, Robert Florey, and et al. “Avant-Garde Experimental Cinema of the 1920s and ’30s.” DVD, New York: Kino on Video, 2005.

Joy, Eileen, A. “Blue.” In Prismatic Ecology: Ecotheory Beyond Green, edited by Jeffrey Jerome Cohen, 2013.

Kastner, Jeffrey and Brian Wallis. Land and Environmental Art. Abridged, rev., and updated. ed. London: Phaidon Press, 2010.

Keiller, Patrick. London and Robinson in Space. British Film Institute, DVD 2005.

–––. The View from the Train: Cities and Other Landscapes. London: Verso, 2013.

Kershaw, Baz, Helen Nicholson, and ebrary Inc. Research Methods in Theatre and Performance. Edinburgh University Press, 2011.

Klee, Paul. Paul Klee. New York: Parkstone Press International, 2013.

Knabb, Ken. Situationist International Anthology. Rev. and expanded ed. Berkeley, CA: Bureau of Public Secrets, 2006.

Kren, Kurt. Structural Films. Video Disc. 2004.

Lailach, Michael. Land Art. Basic Art Series. Germay: Taschen, 2007.

Landsberg, Alison. “Memory, Empathy, and the Politics of Identification.” International Journal of Politics, Culture, and Society 22, no. 2 (2009): 221-29.

Lebow, Alisa. “Memory Once Removed: Indirect Memory and Transitive Autobiography in Chantal Akermanis D’est.” Camera Obscura 18, no. 1 (2003): 35-82.

Leth, Jørgen, Lars von Trier, and Carsten Holst. The Five Obstructions. Koch Lorber Films, 2003.

Lévinas, Emmanuel. “Time and the Other.” In The Levinas Reader, edited by Séan Hand, Oxford, UK, B. Blackwell, 1989.

Levinas, Emmanuel and Richard Kearney. “Dialogue with Emmanuel Levinas.” In Face to Face with Levinas, edited by Richard A. Cohen. State University of New York Press, 1986.

Lewis, Jon. Essential Cinema: An Introduction to Film Analysis. Boston, MA: Wadsworth, Cengage Learning, 2014.

Linsley, Robert. “Mirror Travel in the Yucatan: Robert Smithson, Michael Fried, and the New Critical Drama.” RES: Anthropology and Aesthetics, no. 37 (2000): 7-30.

Livingston, Paisley and Carl R. Plantinga, eds. The Routledge Companion to Philosophy and Film, Routledge Philosophy Companions. London Routledge, 2009.

Lupton, Catherine. Chris Marker: Memories of the Future. London: Reaktion Books, 2005.

MacDonald, Scott. A Critical Cinema 4: Interviews with Independent Filmmakers. Berkeley, California: University of California Press, 2005.

Mahoney, John “Richard Mosse’s Hypercolor Congo, Now in a Short Film.” Accessed July 19, 2015. http://www.americanphotomag.com/richard-mosses-hypercolor-congo-now-short-film.

Manning, Erin. Always More Than One: Individuation’s Dance. Durham, NC: Duke University Press, 2013.

Manning, Erin and Brian Massumi. Thought in the Act: Passages in the Ecology of Experience. 2014.

Margulies, Ivone. Nothing Happens: Chantal Akerman’s Hyperrealist Everyday. Durham: Duke University Press, 1996.

Marker, Chris. Sans Soleil. Criterion Collection, 1983, DVD 2007.

———. Staring Back. Cambridge, MA: MIT Press, 2007.

———. A Grin without a Cat. United States: Icarus Films Home Video, DVD 2009.

———. Level Five. Vintage Classics. United Kingdom: Optimum Releasing, DVD 2011.

Marker, Chris, Pierre L’Homme, Michael Le Grande, Yves Montand, Sofracina., and New Video Agency. Le Joli Mai. Paris: New Video Agency, 1962, DVD 2013.

Marks, Laura U. The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses. Durham, NC: Duke University Press, 1999.

———. Touch: Sensuous Theory and Multisensory Media. Minneapolis: University of Minnesota Press, 2002.

Martin, Sean. Andrei Tarkovsky. Harpenden, Herts, England: Kamera Books, 2011.

Massumi, Brian. The Politics of Everyday Fear. Minneapolis: University of Minnesota Press, 1993.

———. Parables for the Virtual:  Movement, Affect, Sensation. Post-Contemporary Interventions. Durham, NC: Duke University Press, 2002.

———. A Shock to Thought:  Expressions after Deleuze and Guattari. New York: Routledge, 2002.

———. Semblance and Event: Activist Philosophy and the Occurrent Arts. Technologies of Lived Abstraction. Cambridge, Mass.: MIT Press, 2011.

———. Politics of Affect. UK: Polity Press, 2015.

McElwee, Ross. Sherman’s March. First Run Features Home Video, 1991.

———. Time Indefinite. First Run Features Home Video, 1993.

McKibben, Bill. The End of Nature. 1st ed. New York: Random House, 1989.

———. Eaarth: Making a Life on a Tough New Planet. 1st ed. New York: Times Books, 2010.

Miles, Malcolm. Eco-Aesthetics: Art, Literature and Architecture in a Period of Climate Change. Radical Aesthetics – Radical Art, 2014.

Mirzoeff, Nicholas. “Visualizing the Anthropocene.” Public Culture 26, no. 273 (2014).

Morton, Timothy. Ecology without Nature: Rethinking Environmental Aesthetics. Cambridge, Mass.: Harvard University Press, 2007.

———. The Ecological Thought. Cambridge, Mass.: Harvard University Press, 2010.

———. “Thinking Ecology: The Mesh, the Strange Stranger, and the Beautiful Soul.” Collapse 6 (2010): 265-93.

———. “Ecology without the Present.” Oxford Literary Review 34, no. 2 (2012): 229-38.

———. Hyperobjects: Philosophy and Ecology after the End of the World. Posthumanities, 2013.

———. Realist Magic: Objects, Ontology, Causality. Open Humanities Press, 2013.

———. “Xray.” In Prismatic Ecology: Ecotheory Beyond Green, edited by Jeffrey Jerome Cohen. Minneapolis, MN: University of Minnesota Press, 2013.

———. “How I Learned to Stop Worrying and Love the Term Anthropocene.” The Cambridge Journal of Postcolonial Literary Inquiry 1, no. 02 (2014): 257-64.

Nikiforuk, Andrew. Tar Sands: Dirty Oil and the Future of a Continent. Rev. and updated. ed. Vancouver: Greystone Books, 2010.

———. Empire of the Beetle: How Human Folly and a Tiny Bug Are Killing North America’s Great Forests. Vancouver: David Suzuki Foundation : Greystone Books, 2011.

———. The Energy of Slaves: Oil and the New Servitude. Vancouver: Greystone Books, 2012.

Nolt, John. “Casualties as a Moral Measure of Climate Change.” Climatic Change 130, no. 3 (2015): 347-58.

Norgaard, Kari Marie. Living in Denial Climate Change, Emotions, and Everyday Life. Cambridge, Mass.: MIT Press,, 2011.

O’Sullivan, Simon. “The Aesthetics of Affect: Thinking Art Beyond Representation.” Angelaki: Journal of Theoretical Humanities 6, no. 3 (2001): 125-35.

Owens, Craig. “The Allegorical Impulse: Toward a Theory of Postmodernism.” October 12 (1980): 67-86.

Panagia, Davide. “Jacques Rancière: Key Concepts.” In Key Concepts, edited by Jean-Philippe Deranty, Durham: Acumen, 2010.

———.  “‘Partage Du Sensible’: The Distribution of the Sensible.” In Jacques Rancière: Key Concepts, edited by Jean-Philippe Deranty, Durham: Acumen, 2010.

Panagia, Davide and Jacques Rancière. “Dissenting Words: A Conversation with Jacques Rancière.” Diacritics 30, no. 2 (2000): 113-26.

Parr, Adrian. The Deleuze Dictionary. Rev. ed. Edinburgh: Edinburgh University Press, 2010.

Patton, Paul. Deleuze: A Critical Reader. Blackwell Critical Readers. Oxford, UK Blackwell, 1996.

Peters, Michael. ““Antiglobalization” and Guattari’s the Three Ecologies.” In Futures of Critical Theory: Dreams of Difference, edited by Michael Peters, Mark Olssen, and Colin Lankshear, vi, 296 p. Lanham, Md.: Rowman & Littlefield, 2003.

Plumwood, Val. Environmental Culture: The Ecological Crisis of Reason. Environmental Philosophies Series. New York: Routledge, 2002.

Pomerance, Murray. Michelangelo Red Antonioni Blue: Eight Reflections on Cinema. Berkeley: University of California Press, 2011.

Powell, Anna. Deleuze, Altered States and Film. Edinburgh: Edinburgh University Press, 2007.

Rajchman, John. The Deleuze Connections. Cambridge, Mass.: MIT Press, 2000.

———. “Deleuze’s Time, or How the Cinematic Changes Our Idea of Art.” In Afterimages of Gilles Deleuze’s Film Philosophy, edited by David Norman Rodowick, Minneapolis: University of Minnesota Press, 2010.

Rancière, Jacques. Film Fables. Berg Publishers, 2006.

———. The Politics of Aesthetics: The Distribution of the Sensible. Pbk. ed. London Continuum, 2006.

———. “Aesthetic Separation, Aesthetic Community: Scenes from the Aesthetic Regime of Art.” Art & Research: A Journal of Ideas, Contexts and Methods 2, no. 1 (2008): 1-15.

———. “A Few Remarks on the Method of Jacques Rancière.” Parallax 15, no. 3 (2009): 114-23.

———. Dissensus: On Politics and Aesthetics. Translated by Steve Corcoran. edited by Steve Corcoran. London Continuum, 2010.

———. Aisthesis: Scenes from the Aesthetic Regime of Art. [First English edition]. ed., 2013.

———. The Flesh of Words: The Politics of Writing. Atopia. Stanford, Calif.: Stanford University Press, 2004.

———. The Future of the Image. Pbk. ed. London Verso, 2009.

———. The Intervals of Cinema. English-language edition. ed. London ; New York: Verso, 2014.

Rancière, Jacques and Erik Beranek. BéLa Tarr: The Time After. 1st ed. Minneapolis, MN: Univocal Publishing, 2013.

Rancière, Jacques, Sophie Berrebi, Stephen Wright, and Jonathan Lahey  Dronsfield. “An Exchange with Jacques Rancière.” Art & Research: A Journal of Ideas, Contexts and Methods 2, no. 1 (2008).

Rancière, Jacques and Sudeep Dasgupta. “Art Is Going Elsewhere. And Politics Has to Catch It.” Krisis: Journal for Contemporary Philosophy 1 (2008): 70-77.

Rancière, Jacques and Radmila Djordjevic. “Is There a Deleuzian Aesthetics?” Qui Parle 14, no. 2 (2004): 1-14.

Rascaroli, Laura. The Personal Camera: Subjective Cinema and the Essay Film. London Wallflower Press, 2009.

Reygadas, Carlos. Japon. Artificial Eye, DVD 2003.

Reynolds, Ann Morris and Robert Smithson. Robert Smithson: Learning from New Jersey and Elsewhere. Cambridge, Mass.: MIT Press, 2003.

Robock, Alan, Allison Marquardt, Ben Kravitz, and Georgiy Stenchikov. “Benefits, Risks, and Costs of Stratospheric Geoengineering.” Geophysical Research Letters 36, no. 19 (2009).

Rodowick, David Norman. Gilles Deleuze’s Time Machine. Post-Contemporary Interventions. Durham, NC: Duke University Press, 1997.

———. Afterimages of Gilles Deleuze’s Film Philosophy. Minneapolis: University of Minnesota Press, 2010.

———. “Unthinkable Sex.” In Afterimages of Gilles Deleuze’s Film Philosophy, edited by David Norman Rodowick, Minneapolis: University of Minnesota Press, 2010.

Rodowick, David Norman and ebrary Inc. The Virtual Life of Film. Cambridge, Mass.: Harvard University Press, 2007.

Rombes, Nicholas. Cinema in the Digital Age. London; New York: Wallflower Press, 2009.

Ross, Toni. “Image, Montage.” In Jacques Rancière: Key Concepts, edited by Jean-Philippe Deranty, Durham: Acumen, 2010.

Royle, Nicholas. The Uncanny. Manchester: Manchester University Press, 2003.

Schoots, Hans. Living Dangerously: A Biography of Joris Ivens. Amsterdam: Amsterdam University Press, 2000.

Shatnoff, Judith. “Woman in the Dunes.” Film Quarterly 18 (43-46.

Shaviro, Steven. The Cinematic Body. Theory out of Bounds. Minneapolis: University of Minnesota Press, 1993.

———. Without Criteria: Kant, Whitehead, Deleuze, and Aesthetics. Technologies of Lived Abstraction. Cambridge, Mass.: MIT Press, 2009.

Sherman, Sharon R. and Mikel J. Koven. Folklore/Cinema: Popular Film as Vernacular Culture. Logan: Utah State University Press, 2007.

Simpson, Buster “Hudson River Purge.” Accessed December 9th, 2011. http://www.bustersimpson.net/hudsonriverpurge/.

Sitney, P. Adams. Visionary Film: The American Avant-Garde, 1943-2000. 3rd ed. New York: Oxford University Press, 2002.

Skakov, Nariman. The Cinema of Tarkovsky: Labyrinths of Space and Time. London; New York: I.B. Tauris, 2012.

Smith, Daniel W. Essays on Deleuze. Edinburgh: Edinburgh University Press, 2012.

Smithson, Robert. Robert Smithson: The Collected Writings. Edited by Jack D. Flam. Berkeley: University of California Press, 1996.

Staiger, Janet, Ann Cvetkovich, and Ann Morris Reynolds, eds. Political Emotions, New Agendas in Communication. New York: Routledge, 2010.

Steffen, W., J. Grinevald, P. Crutzen, and J. McNeill. “The Anthropocene: Conceptual and Historical Perspectives.” Philos Trans A Math Phys Eng Sci 369, no. 1938 (2011): 842-67.

Steyerl, Hito and Franco Berardi. The Wretched of the Screen. E-Flux Journal. Berlin: Sternberg Press, 2012.

Szeman, Imre. “The Cultural Politics of Oil: On Lessons of Darkness and Black Sea Files.” Polygraph 22 (2010).

Tanke, Joseph J. Jacques Rancière: An Introduction. New York: Continuum, 2011.

Tarkovsky, Andrei. The Mirror.  New York: Kino on Video, 1974, DVD 2000.

———. Stalker. Distinction Series. Northcote, Vic.: Shock Records, DVD 2007.

———. Sculpting in Time: Reflections on the Cinema. New York: Alfred A. Knopf, 1987.

———. Solaris. New York: Criterion Collection, 1972, DVD 2002.

Teshigahara, Hiroshi. Woman of the Dunes. London: BFI, 1964, DVD 2006.

Thrift, Nigel. “Intensities of Feeling: Towards a Spatial Politics of Affect.” Geografiska Annaler. Series B, Human Geography 86, no. 1 (2004): 57-78.

Trier, Lars von. Antichrist. Irvington, N.Y.: Criterion Collection, DVD 2010.

———. Melancholia. Victoria, Australia: Madman Entertainment, DVD 2012.

Vertov, Dziga. Man with a Movie Camera. Blackhawk Films Collection. Image Entertainment, 1929, DVD 1998.

Vertov, Dziga and Annette Michelson. Kino-Eye: The Writings of Dziga Vertov. Berkeley, Ca.: University of California Press, 1984.

Vigo, Jean and Boris Kaufman. A Propos De Nice. The Experimental Avant Garde Series v no 10. Brooklyn, NY., The New York Film Annex, 1930.

Welsby, Chris. “Films and Installations: A Systems View of Nature.” In Experimental Film and Video: An Anthology, edited by Jackie Hatfield and Stephen Littman, Eastleigh, UK: John Libbey Pub., 2006.

———. “Technology, Nature, Software and Networks: Materializing the Post-Romantic Landscape.” Leonardo 44, no. 2 (2011): 101-06.

———. “Chris Welsby.” British artists’ films. British Film Institute, DVD 2006.

Wilson, Ben. Climate Change: A Horizon Guide. BBC, 2015.

Wright, Stephen. “Behind Police Lines: Art Visible and Invisible.” Art and Research: A Journal of Ideas, Contexts, and Methods 2, no. 1 (2008).

Yusoff, Kathryn. “Biopolitical Economies and the Political Aesthetics of Climate Change.” Theory, Culture & Society 27, no. 2-3 (2010): 73-99.

———. “Aesthetics of Loss: Biodiversity, Banal Violence and Biotic Subjects.” Transactions of the Institute of British Geographers 37, no. 4 (2012): 578-92.

———. “Insensible Worlds: Postrelational Ethics, Indeterminacy and the (K)Nots of Relating.” Environment and Planning D: Society and Space 31, no. 2 (2013): 208-26.